Yolanda Molina
Gavilán
Alternative Realities from Argentina:
Angélica Gorodischers "Los embriones del violeta"
Abstract.-- Angélica
Gorodischer is one of the most prominent science fiction writers in Argentina. Her short
story "Los embriones del violeta" (The Embryos of the Violet) from the
collection "Bajo las jubeas en flor" (Under the Flowering Jubeas, 1973) has been
widely anthologized and is considered by some a masterpiece of Argentinian sf. The story
is a good example of the kind of sf we have come to expect from this author, one that is
thematically related to the Anglo-American New Wave or feminist sf of the 1960s and 1970s.
"Los embriones" speculates in general about the nature of desire and the search
for happiness and specifically about the traditional Argentinian equation between military
power and masculinity by presenting a world of ex-service men who must resort to
transvestism to fulfill their sexual needs. Gorodischer proposes an alternate reality
where men can act like gods, reproducing anything they desire except for women. Therefore,
those men whose objects of desire are women have no choice but to engage in sexual
practices with transvestite beings they have fashioned as substitutes. By problematizing
sexual desire and its relationship to political and social power, the text draws attention
to sexism as it relates to both males and females and, ultimately, enables the reader to
analyze and question received values and ideas.
Kamila Kinyon
The Phenomenology of Robots: Confrontations with Death in Karel
Capeks R.U.R.
Abstract. -- This essay
examines how the robots various confrontations with death in Karel Capeks
science fiction drama R.U.R. reflect the authors explicit response to
prevailing philosophical concepts of his time, especially those of Kant and Hegel. The
robot Radius, for example, is a classic instance of the Hegelian master who risks death
for recognition, asserting his authority over human slaves. By contrast, the robot Damon
initially follows the Kantian categorical imperative in his submission to inflexible
ethical law, only to apprehend and affirm his individuality at the moment of death.
Damons philosophical importance as an exemplification of Capeks critique of
the Kantian precept of duty was lost to English-language readers when the character was
cut from Paul Selvers 1923 translation. Claudia Novack-Jones, in her 1989
translation of R.U.R., restored the excised passages, though some of her other
decisions, especially regarding the rendering of key terms, eliminated suggestive
ambiguities in the original Czech. This essay, in addition to its philosophical
examination of the play, also discusses linguistic issues in the various translations,
restoring a sense of the verbal subtlety, as well as the ideational complexity, of
Capeks classic work.
Domna Pastourmatzi
Hellenic Magazines of Science Fiction
Abstract. -- Science
fiction in translation began appearing in popular science magazines during the mid-1970s
in Greece, but the first Greek magazine devoted exclusively to sf (Andromeda)
appeared in 1977. Launching subsequent magazines and fanzines has been a risky business,
often plagued by financial difficulties, irregular circulation, limited readership, and an
unfavorable critical climate. Several devoted fans have tried their luck in sf publishing,
but only Christos Lazos (Andromeda) and Yiorgos Bazinas (Apagorevmenos Planitis)
have managed to sustain a viable circulation for their magazines. The most pressing
challenges for Hellenic sf publishing (especially magazine publishing) in the coming
century will be to break out of the ghetto, unite the scattered fans, appeal to a wider
readership, increase sales, counter prejudice against science fiction as "escapist
trash," and achieve respectability for the genre.
View Accompanying Illustrations.
Philippe Willems
A Stereoscopic Vision of the Future: Albert Robidas
Twentieth Century
Abstract. -- Although
often neglected by sf scholars, Albert Robida deserves recognition as a highly original
and important figure in the history of science fiction. In this essay, I analyze the link
between Robidas unique narrative strategies and his skill in endowing his fictional
speculations with verisimilitude. Robidas vision of France in the 1950s is striking
in its overall organic coherencea sense of wholeness that is paradoxically brought
about by his use of hermeneutic heterogeneity. Multiple factors enhance the impression of
realism in the novels of his Twentieth Century trilogy: their historical dimension,
the depth of Robidas cultural and social insights, the network of different
narrative voices used, and the innovative multimedia format of these works, superbly
illustrated by the author himself. Robidas artwork often supplements his narrative
descriptions hypertextually, supplying peripheral information and avoiding the redundancy
of conventional illustration. The distinctive characteristics of Robidas sf that set
him apart from other early sf novelists are perhaps best illustrated by an analogy with an
apparatus that was contemporary to him, the stereoscope. Like stereoviews, Robidas
snapshots of the future are multi-dimensional, creating the illusion of both depth and
substance.
View Accompanying Illustrations.
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