#99
= Volume 33, Part 2 = July 2006
ARTICLE ABSTRACTS:
John Clark
"Small, Vulnerable ETs": The Green Children
of Woolpit
Abstract. --
This article considers the multifarious interpretations
and influences of the story of the two green-skinned children who, as it was
reported by two medieval writers, suddenly appeared in the fields of an English
village in the middle of the twelfth century. Some have explained it as a
folktale, some as a garbled account of unusual but mundane events, and some as a
record of intervention by extraterrestrial beings in human affairs. Other
authors have found in it inspiration for fictions of their own: not just simple
retellings, but stories that draw on it or refashion it in unexpected ways. In
particular, the paper considers two cases where the Green Children have found a
place in works of science fiction: Francis Godwin’s The Man in the Moone
in the seventeenth century and Herbert Read’s The Green Child in the
twentieth. Some of the most effective versions have been those that have best
retained the inherent mystery and romance of the original story.
Matthew Beaumont
Red Sphinx: Mechanics of the Uncanny in
The Time Machine
Abstract. --
This article commences with the familiar claim that
science fiction is a literature of estrangement and argues that, at times—as in
the seminal case of H.G. Wells’s The Time Machine (1895)—sf produces a
particularly unsettling form of estrangement that can be identified with Freud’s
notion of the “uncanny.” The Time Machine is an uncanny text because it
portrays an alien future in which the not so much militant as triumphant working
class is secreted in the late nineteenth-century present. The first section of
the article sets out the theoretical framework for this argument, using Ernst
Bloch’s concept of the Not-Yet-Conscious, which he explicitly opposed to Freud’s
concept of the unconscious in order to revise the standard understanding of the
uncanny by adding a historical dimension to it. Section 2 focuses on the central
symbol of the sphinx in The Time Machine as a means for discussing
Wells’s contradictory attitudes toward the destiny of class relations at the end
of the nineteenth century. Section 3 explores the Time Traveller’s various
interpretations of the mysterious society of 802,701 and examines the uncanny
effects of his encounter with the Morlocks. Finally, Section 4 relates the
novel’s uncanny revelations about the present and future of class society to the
middle-class fin-de-siècle fascination with the threatening specter of the
proletariat in the English metropolis. The article offers a political
reinterpretation of The Time Machine and, more broadly, attempts to
develop further the concept of estrangement in relation to science fiction.
Rob Latham
Sextrapolation in New Wave
Science Fiction
Abstract. --
This essay traces how the representation of sexual
content within sf became increasingly acceptable during the 1960s. Rather than
treating this development as an epochal achievement of the New Wave movement,
however, it argues that a significant number of innovative treatments of
sexuality—as well as a sophisticated discourse regarding the pernicious effects
of censorship—had already emerged within the genre during the early 1950s. The
1960s New Wave built on this tradition in substantial ways, from Michael
Moorcock’s ambitious renovations of New Worlds to the original anthology
series pioneered by Damon Knight and Harlan Ellison. The essay tracks the
controversies that surrounded the explicit depiction of sexual acts and
fantasies in science fiction, culminating with a three-part anatomy of New Wave
approaches to “sextrapolation”: feminist sf, which sought to provide an ethical
counterweight to the excesses of the sexual revolution; pornographic sf, with
its often lurid but sometimes arresting visions of polymorphous sexual
otherness; and more straightforward extrapolative renderings of furturistic
sexual mores and behaviors.
Helen J. Burgess
“Road of Giants”: Nostalgia and the Ruins
of the Superhighway in Kim Stanley Robinson’s Three Californias Trilogy
Abstract. --
In this essay I look at two novels in Kim Stanley
Robinson’s Three Californias Trilogy,
The Gold Coast (1988) and The Wild Shore (1984), in which the
image of the superhighway represents a site for the tension between progress and
nostalgia and plays a key role as marker of future human survival. These books,
as alternative futures, provide us with a choice: will we continue to create the
conditions that will lead to our destruction, a highway to a future of ruins? Or
will we try to harness the best of what technology has to offer in order to
avert such a catastrophe? I argue that a focusing point for these debates is the
superhighway, as a representation both of the “road to the future” and a road to
nowhere. The Three California
novels are concerned with finding a way to develop a balance between
technological progress and the need for sustainable resource consumption. But
both The Gold Coast and The Wild Shore also engage critically with
the narratives of past and future expansion so evident in highway literature of
the twentieth century. It is these narratives, embodied in the ruins of the
superhighway, that I believe are important.
Amy J. Ransom
Oppositional Postcolonialism in Québécois
Science Fiction
Abstract. -- This essay examines Québécois and Franco-Canadian sf
through the lens of postcolonial theory. Drawing specifically on Vijay Mishra
and Bob Hodge’s concept of “oppositional postcolonialism,” it argues that the
extrapolated futures, other worlds, and alternate histories of “SFQ,” la
science-fiction québécoise, reveal the same preoccupations found in the works of
writers more commonly referred to as “postcolonial.” Using the three defining
traits of oppositional postcolonialism as an organizational framework, the
article examines the elements of racism, second language, and political struggle
in a representative body of texts, including Jean-Pierre April’s “Le Vol de la
ville” [The Flight/Theft of the City], Sylvie Bérard’s Terre des Autres
[Land of the Others], Alain Bergeron’s “Le Prix” [The Prize], Jean-Louis
Trudel’s “Report 323: A Quebecois Infiltration Attempt,” and Elisabeth
Vonarburg’s Tyranaël series.
Pablo Santoro Domingo
Science Fiction in Spain: A Sociological
Perspective
Abstract. -- Although many sociological studies have included
attention to the field of sf, little work has been done to develop a specific
sociology of sf; that is, to focus on the social dynamics within the world of sf
writing and reading, and especially in the peculiar environment of fandom. In
the light of studies such as Camille Bacon-Smith’s Science Fiction Culture
and John Tulloch and Henry Jenkins’s Science Fiction Audiences, and in
the context of Pierre Bourdieu’s theoretical work on the notion of the literary
field, this paper surveys the problem of the relationship between sf and
mainstream literature, with special attention to the positioning of fandom. The
case of the sf field in Spain, which is currently enjoying a period of expansion
and a publishing boom that makes this problem increasingly relevant, is analyzed
through interviews with writers, editors, and fans. I argue that the various
definitions of the genre espoused by different actors in the field function as
differing responses from within sf to the problem of exclusion from the
mainstream.
Back to Home