Science Fiction Studies

• DOVE, Toni and David Mackenzie. Cybertheater, Postmodernism, and Virtual Reality: An Interview with Toni Dove and Michael Mackenzie. #62, 21:1 [March 1994] 1-23
• GIBSON, William and Bruce Sterling. "The Charisma Leak'': A Conversation with William Gibson and Bruce Sterling. #56, 19:1 [March 1992] 1-16

Articles

• BOOKER, Keith. Woman on the Edge of a Genre: The Feminist Dystopias of Marge Piercy. #64, 21:3 [November 1994].337-50. (Full Text)
• BOULD, Mark Bould and Rhys Williams, ed. SF Now. Paradoxa #26. #127, 42:3 [November 2015]. 574-82.
• BREDEHOFT, Thomas A. The Gibson Continuum: Cyberspace and Gibson's Mervyn Kihn Stories. #66, 22:2 [July 1995].252-63.
• BUKATMAN, Scott. Postcards from the Posthuman Solar System. #55, 18:3 [November 1991].343-57.(Full Text)
• CSICSERY-RONAY, Istvan, Jr. Antimancer: Cybernetics and Art in Gibson's Count Zero. #65, 22:1 [March 1995].63-86. (Full Text)
• DAVIDSON, Cynthia. Riviera's Golem, Haraway's Cyborg: Reading Neuromancer as Baudrillard's Simulation of Crisis. #69, 23:2 [July 1996].188-98.
• DE ZWAAN, Victoria. Rethinking the Slipstream: Kathy Acker Reads Neuromancer. #73, 24:3 [November 1997].459-70.
• DOVE, Toni and David Mackenzie. Cybertheater, Postmodernism, and Virtual Reality: An Interview with Toni Dove and Michael Mackenzie. #62, 21:1 [March 1994] 1-23
• EASTERBROOK, Neil. The Arc of Our Destruction: Reversal and Erasure in Cyberpunk. #58, 19:3 [November 1992].378. (Full Text)   
• -------. Alternate Presents: The Ambivalent Historicism of Pattern Recognition. #100, 33:3 [November 2006]. 483-504. (Full Text)
• FARNELL, Ross. Attempting Immortality: AI, A-Life, and the Posthuman in Greg Egan's Permutation City #80, 27:3 [ November 1999].69-91.
• FERNBACH, Amanda. The Fetishization of Masculinity in Science Fiction: The Cyborg and the Console Cowboy. #81, 27:2 [July 2000].234-55.(Full Text)
• GRANT, Glenn. Transcendence Through Detournement in William Gibson's Neuromancer. #50, 17:1 [March 1990].41-49.
• HEUSER, Sabine. Virtual Geographies: Cyberpunk at the Intersection of the Postmodern and Science Fiction. #93, 31:2 [July 2004]. 264-70.
• HOLLINGER, Veronica  Stories About the Future: From Patterns of Expectation to Pattern Recognition. #100, 33:3 [November 2006]. 452-72. (Full Text)
• KENYON JONES, Christine. Sf and Romantic Biofictions: Aldiss, Gibson, Sterling, Powers. #71, 24:1 [March 1997].47-56.(Full Text)
• LA BARE, Joshua. The Future: “Wrapped ... in that mysterious Japanese way.” #80, 27:1 [March 2000]. 22-48.
• MURPHY, Graham. Post/Humanity and the Interstitial: A Glorification of Possibility in Gibson’s Bridge Sequence #89, 30:1 [March 2003].72-90.
• PALMER. Christopher. Mona Lisa Overdrive and the Prosthetic.  #93, 31:2 [July 2004]. 227-42.
• -------. Pattern Recognition: "None of What We Do Here Is Ever Really Private." #100, 33:3 [November 2006]. 473-82. (Full Text)
• PAULK, Charles. Post-National Cool: William Gibson's Japan. #115, 38:3 [November 2011]. 478-500.
• PORUSH, David. Prigogine, Chaos, and Contemporary Science Fiction. #55, 18:3 [November 1999].367-86.(Full Text)
• SCHROEDER, Randy. Determinacy, Indeterminacy, and the Romantic in William Gibson. #63, 21:2 [July 1994].155-63.
• SIIVONEN, Timo. Cyborgs and Generic Oxymorons: The Body and Technology in William Gibson's Cyberspace Trilogy. #69, 23:2 [July 1996].227-44.
• STROMBECK, Andrew. The Network and the Archive: The Specter of Imperial Management in William Gibson’s Neuromancer. #111, 37:2 [July 2010]. 275-95.
• TOMBERG, Jaak. On the “Double Vision” of Realism and SF Estrangement in William Gibson’s Bigend Trilogy. #120, 40:2 [July 2013]. 263-85. (Full Text)
• WONG Kin Yuen. On the Edge of Spaces: Blade Runner, The Ghost in the Shell, and Hong Kong's Cityscape #80, 27:3 [November 199].1-21.
• WOOD, Brent. William S. Burroughs and the Language of Cyberpunk. #68, 23:2 [March 1996].11-26.

Review Pages

• BALSAMO, Anne. Technologies of the Gendered Body: Reading Cyborg Women (Hollinger). #71, 24:2 [March 1997].124-32.
• BARR, Marlene [sic] S., ed. Future Females: A Critical Anthology (Leith). #30, 10:2 [July 1983].247-50. 
• BEN-TOV, Sharona. The Artificial Paradise: Science Fiction and American Reality (Ketterer). #69, 23:2 [July 1996].253-59.
• BOOKER, M. Keith. The Dystopian Impulse in Modern Literature: Fiction as Social Criticism (Fitting). #66, 22:2 [July 1995].272-81; (Wolfe). #64, 21:3 [November 1994].431-40.
• _____. Dystopian Literature: A Theory and Research Guide (Fitting). #66, 22:2 [July 1995].272-81.
• BUTLER, Andrew M. The Pocket Essential Cyberpunk (Freedman). #85, 28:3 [November 2001].443-47.
• CAVALLARO, Dani. Cyberpunk and Cyberculture: Science Fiction and the work of William Gibson (Bould). #82, 27:2 [November 2000].520-22.
• CLUTE, John. The Book of End Times: Grappling with the Millennium (Ketterer). #81, 27:1 [March 2000].296-302.
• DERY, Mark. Escape Velocity: Cyberculture at the End of the Century (Hollinger). #71, 24:1 [March 1997].124-32.
• _____. Flame Wars: The Discourse of Cyberculture (Hollinger). #68, 23:1 [March 1996].136-39.
• FEATHERSTONE, Mike & Rogers Burrows, eds. Cyberspace/Cyberbodies/ Cyberpunk: Cultures of Technological Embodiment (Latham). #72, 24:2 [July 1997].344-49.
• FERNBACH, Amanda. Fantasies of Fetishism: From Decadence to the Post-Human (S.W. Davis). #90, 30:2 [July 2003]. 319-23.
• GIBSON, William. Distrust that Particular Flavor (Ellis). #118, 39:3 [November 2012]. 529-30.
• GRAHAM, Elaine L. Representations of the Post/Human: Monsters, Aliens and Others in Popular Culture (Martinez). #92, 31:1 [March 2004]
• HENTHORN, Tom. William Gibson: A Literary Companion (Blackford). #115, 38:3 [November 2011]. 133-34.
• HEUSER, Sabine. Virtual Geographies: Cyberpunk at the Intersection of the Postmodern and Science Fiction (Blackford). #93, 31:2 [July 2004].264-70.
• JAMESON, Fredric. Postmodernism, or the Cultural Logic of Late Capitalism (Csicsery-Ronay). #58, 19:3 [November 1992].403.
• JOHNSTON, John. Information Multiplicity: American Fiction in the Age of Media Saturation (Seed). #79, 26:3 [November 1999].503-06.
• JONES, Gwyneth. Deconstructing the Starships: Science, Fiction and Reality (Csicsery-Ronay). #83, 28:1 [March 2001].119-23.
• KITCHIN, Rob, and James Kneale, eds. Lost in Space: Geographies of Science Fiction (A.M. Butler).  #90, 30:2 [July 2003]. 315-19.
• McCAFFERY, Larry, ed. Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Science Fiction (Fekete). #58, 19:3 [November 1992].395-402.
• McFARLANE, Anna, Lars Schmeink, and Graham J. Murphy, eds. The Routledge Companion to Cyberpunk Culture (Chad Andrews). #144, 48:2 [July 2021]. 354-360.
• MERRICK, Helen, & Tess Williams, eds. Women of Other Worlds: Excursions Through Science Fiction and Feminism (R. Blackford) #80, 27:1 [March 2000].149-51.
• MURPHY, Graham J., and Sherryl Vint, eds. Beyond Cyberpunk: New Critical Perspectives (Canavan). #119, 40:1 [March 2013]. 169-172.
• MURRAY, Mitch R., and Mathias Nilges, eds. William Gibson and the Futures of Contemporary Culture (Esko Suoranta). #145, 48:3 [November 2021]. 594-597.
• OLSEN, Lance. William Gibson (McGuirk). #59, 20:1 [March 1993].114-16.
• PENLEY, Constance & Andrew Ross. Technoculture (Csicsery-Ronay). #58, 19:3 [November 1992].403-10.
• ROBERTS, Adam. The ABC's of Science Fiction (Freedman). #85, 28:3 [November 2001].443-47
• ROSS, Andrew. Strange Weather: Culture, Science, and Technology in the Age of Limits (Csicsery-Ronay). #58, 19:3 [November 1992].403-10.
• _____. See also PENLEY.
• RYAN, Marie-Laure, ed. Cyberspace Textuality: Computer Technology and Literary Theory (Hollinger). #90, 30:2 [July 2003]. 331-32.
• SEDGWICK, Eve Kosofsky, ed. Novel Gazing: Queer Readings in Fiction (Weinstone). #77, 26:2 [July 199].41-48.
• SIMS, Christopher A. Tech Anxiety: Artificial Intelligence and Ontological Awakening in Four Science Fiction Novels (Booker). #123, 41:2 [July 2014]. 456-58.
• SLUSSER, George, & Gary Westfahl & Eric Rabkin. Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy (Mangum). #74, 25:1 [March 1998].102-06.
• SLUSSER, George & Tom Shippey, eds. Fiction 2000: Cyberpunk and the Future of Narrative (Latham). #60, 20:2 [July 1993].266-72.
• SMITH, Patrick A., ed. Conversations with William Gibson (Murphy). #125, 42:1 [March 2015]. 184-86.
• SPRINGER, Claudia. Electronic Eros: Bodies and Technology in the Postindustrial Age (Hollinger). #71, 24:1 [March 1997].124-132.
• TATSUMI, Takayuki. Full Metal Apache: Transactions Between Cyberpunk Japan and Avant-Pop America (Murphy). #104, 35:1 [March 2008]. 110-15.
• VAN BELKOM, Edo. Northern Dreamers: Interviews with Famous Science Fiction, Fantasy, and Horror Writers (Johnston). #77, 26:1 [March 1999].142-44.
• WESTFAHL, Gary. William Gibson (Levy). #123, 41:2 [July 2014]. 459-62.
• WOLMARK, Jenny, ed. Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace (Hollinger). #85, 28:3 [November 2001].426-35.

Notes and Correspondence

• SFS #88
  • Gibson SF Collection (Christine Mains)
• SFS # 90
  • Ninsei Street, Chiba City, in Gibson’s Neuromancer.
• SFS #93
  • Advertising and Calculators in William Gibson’s Pattern Recognition (Donald E. Morse)

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